tenni
Jul 16, 2010, 11:46 PM
WHAT PORN DO WOMEN ENJOY?
DO WOMEN ENJOY PORN?
Here are some quotes from an interview with porn producer and director Erika Lust in Good Porn: A Woman’s Guide.
Maybe women would watch more porn if the actors looked more like soccer players.
That’s a good point. When I look at the actors in porn movies, I don’t find them attractive.
You write that women want realistic settings, “modern apartments” equipped with Macs – not tacky, opulent mansions and yachts.
Mainstream porn directors’ aesthetic values are not too elaborate. It’s a very kitschy ambience. They don’t work with the interiors. They don’t even care about something so important to us as the bed linens.
So women want ambience? I thought you wrote that women aren’t into candles and flower petals.
We don’t need the fireplace or the champagne and the chocolate and the strawberries. I don’t think that’s what we want, but when we watch a film, many of us want it to look good.
You also complain about the ridiculous scenarios in mainstream porn, like the girl who comes home to find her boyfriend canoodling with her best friend and happily hops into bed with them.
It’s not like I need a two-hour introduction, but I need some context as to who these people are. In advertising, they create a story in 20 seconds. It just seems like [the mainstream directors] don’t really care.
In your 2004 short film The Good Girl, you toy with the pizza delivery boy scenario, except the girl pays for her pizza and offers the guy a “post-coital slice.” Why is it so important that she pay for her pizza with money, not acrobatics?
If you don’t have your own money then you aren’t free to choose in life. One of the clichés that I really didn’t like was this girl who always ends up paying with her body. I really needed her to pay for it and invite him in to have a piece.
Do women in female-made porn have jobs?
In "Life Love Lust", there’s a story of a couple working in a restaurant: He’s the chef and she’s a waitress. There’s a story of a fortysomething executive meeting a younger man. I have stories where you realize in the storyline that the women have kids.
You blast mainstream porn’s “cheesy sets, awful styling and makeup, insipid music, laughable performances (with sound editing that was even worse), and amateurish cinematography.” Female pornographers often get hung up on production values. Why?
I think it has to do with our generation. We grew up with TV in the background and images with high production values.
Do men like the porn you make?
Yes, many, many men – they write me almost every day. I get such cute e-mails from them saying that they find my movies beautiful and so much more natural. Many are happy because it’s the first time they can share it with their girlfriends. I see that because I have a store online and many men come, buy and then send movies to their girlfriends.
There seems to be a sense that female-made porn is “too fuzzy.” What do you make of that?
If you go back to when women started making erotic movies, they were into a softer approach. I think in the last 10 years we’ve definitely seen women make movies with more direct approaches. The movies made today are definitely not the fuzzy, erotic kind of illusions.
DO WOMEN ENJOY PORN?
Here are some quotes from an interview with porn producer and director Erika Lust in Good Porn: A Woman’s Guide.
Maybe women would watch more porn if the actors looked more like soccer players.
That’s a good point. When I look at the actors in porn movies, I don’t find them attractive.
You write that women want realistic settings, “modern apartments” equipped with Macs – not tacky, opulent mansions and yachts.
Mainstream porn directors’ aesthetic values are not too elaborate. It’s a very kitschy ambience. They don’t work with the interiors. They don’t even care about something so important to us as the bed linens.
So women want ambience? I thought you wrote that women aren’t into candles and flower petals.
We don’t need the fireplace or the champagne and the chocolate and the strawberries. I don’t think that’s what we want, but when we watch a film, many of us want it to look good.
You also complain about the ridiculous scenarios in mainstream porn, like the girl who comes home to find her boyfriend canoodling with her best friend and happily hops into bed with them.
It’s not like I need a two-hour introduction, but I need some context as to who these people are. In advertising, they create a story in 20 seconds. It just seems like [the mainstream directors] don’t really care.
In your 2004 short film The Good Girl, you toy with the pizza delivery boy scenario, except the girl pays for her pizza and offers the guy a “post-coital slice.” Why is it so important that she pay for her pizza with money, not acrobatics?
If you don’t have your own money then you aren’t free to choose in life. One of the clichés that I really didn’t like was this girl who always ends up paying with her body. I really needed her to pay for it and invite him in to have a piece.
Do women in female-made porn have jobs?
In "Life Love Lust", there’s a story of a couple working in a restaurant: He’s the chef and she’s a waitress. There’s a story of a fortysomething executive meeting a younger man. I have stories where you realize in the storyline that the women have kids.
You blast mainstream porn’s “cheesy sets, awful styling and makeup, insipid music, laughable performances (with sound editing that was even worse), and amateurish cinematography.” Female pornographers often get hung up on production values. Why?
I think it has to do with our generation. We grew up with TV in the background and images with high production values.
Do men like the porn you make?
Yes, many, many men – they write me almost every day. I get such cute e-mails from them saying that they find my movies beautiful and so much more natural. Many are happy because it’s the first time they can share it with their girlfriends. I see that because I have a store online and many men come, buy and then send movies to their girlfriends.
There seems to be a sense that female-made porn is “too fuzzy.” What do you make of that?
If you go back to when women started making erotic movies, they were into a softer approach. I think in the last 10 years we’ve definitely seen women make movies with more direct approaches. The movies made today are definitely not the fuzzy, erotic kind of illusions.